omahyramotafanclub:

georgianna robertson by thiemo sander for elle germany, april 1996

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vhs-ninja:

The Devil’s Honey aka Il Miele del Diavolo (1986) by Lucio Fulci.

lelaid:

DSquared² F/W 2013

are u concerned?

nyctaeus:

Bernard Tschumi, Advertisements for Architecture, 1976-77

In the 1960s, a small oppositional element in architecture forged its own counterculture by turning its energies away from building toward writing. Born of a desire to foreground the intellectual dimension of architecture by associating it with developments in conceptual art,linguistics, and philosophy, this turn toward writing soon engaged architecture with broader questions of pop culture, mass media, advertising, and emerging technologies.

During this period, avant-garde theorist and architect Bernard Tschumi created “Advertisements for Architecture”, a series of postcard-sized juxtapositions of words and images, based on the idea that most of us experience architecture through photographs, drawings and words in books, in other words, through our imagination and not through the experience of real space.

glomamicita:

mcavoys:

Lea Seydoux and Adele Exarchopoulos attend the ‘Cannes Film Festival: 70th Anniversary Party’ at Palais Des Beaux Arts on September 20, 2016 in Paris, France.

pherox:

luv u always

harinef:

0800blazeit:

willyegang:

Atelier Versace Spring 2004.

Niiiiiiiice

oh my god gemma

harinef:

vintagesalt:

Isabelle Adjani in The Tenant (dir. Roman Polanski, 1976)

same

literally me